Explore the early minimalistic work of Cameron Akhunaton
through Tone-Cone.
"The dexterous mix of organic
forms and smooth materials is appealing, as if designed as a sanctuary.
Cosmophonics hold myriad moments of surprise and delight, making
one feel they've intergrated the wafting futurepast within this
sonic topography. Mathmagical labrynths of textural cohesion sustain
active relaxation, giving the pleasant illusion that we're perpetually
floating on a hydrosonic soundbed with conjoining aromas."
-Auricle Magazine
"This is a great work. The whole
sound on the album is really like a dreamlike journey." -Vladimir
host of Inner Space
"Tenuous organ drones mixed with
environmental sounds (nocturnal insects, trickling waters, distant
owls) set the sedate tone for this music. The electronics are
passive and intended to elicit meditative states, whether filtered
with softly vibrating, almost subliminal percussives or nudged
by crisp keyboard minimalism. Sometimes the keyboards emerge as
clearly defined piano, delicately floating amid gently grinding
electronic textures. A few sounds reach a more demonstrative resonance,
but even these instances are applied with languid intent, to flavor
the ambience with a slight edginess. Overall, though, the music
remains calm. This release displays
more of a harmonic flow than a melodic presence. - Matt
Howarth SonicCuriousity.com